Here is his studio shot.
Internet Fair Use - Ian Sidaway in His Studio
And the tools associated with his mastery and expertise.
Internet Fair Use - Ian Sidaway's Sketching Tools Drawn in His Sketchbook
So I followed to his website. And reviewed his portfolio of artwork. I thoroughly enjoyed the use of numerous quotes within the blog.
The best quote that speaks to me was: "There is a fine line between 'hobby' and 'mental illness' ". (Unknown author)
- Keeps the blog simple with quotes and his sketchbook pages
- The finish and quality of the drawings speak for themselves
- He characterizes himself as an urban sketcher
- Content aligns to a sketchbook-based travel and journey log
- Text wasn't required to explain the power of the artwork
- The feeling and essence of the location and subject matter was self-evident in the images
- Obviously portrays what he enjoys so there is insight into the artist from his depictions
- Wonderful capture of architecture [Paris, with Eiffel], rural locations [Cornwall cow, Edale Sheep, Edale wire fence], cityscapes, storefronts, cafes [Vienna, Paris], landscapes, marine, arboretums [winter trees], topiary, gardening [allotments, and again, wheelbarrows, pumpkins,], vendors and markets [cheese and vegetables, flowers, roses and books, carpets and fish], and natural history [bones, seal, shrew, autumn chestnuts]
- He has a knack for taking what otherwise could be seen as mundane and making it dramatic [Brecon-Beacon wire fence, Edale wire fence, French cafe chairs, and cafe chairs again, laundry in Burano]
- His skill of observation, selection of subject, and point of view is superb [Bodmin Moor]
- Style appears to have roots in architectural and landscape graphic designer [Tuscany, and Tuscany again, Cortona, Venice]
- Use of foreground and background to provide depth [Edale Cross, Santorini Greece]
- Positive use of white space [ducks, rope and buoys]
- Using different focal planes of activity [St Thomas a Becket, teasals at sunset, farm in Zenner, Avebury fence and hedgerows, peonies and queen anne's lace, gull in Venice]
- Selective use of detail or lack of detail to portray essence of image [rope and buoys, spring magnolias]
- Use of shape to provide emphasis [Petworth oak]
- Allowing line and geometry to provide emphasis [Kew Gardens greenhouse]
- Use of architectural panorama [Cartmel logging, Musee d'Orsay and Louvre]
- Use of silhouette [fishing boat]
- Use of repetition [Wells at Sea, pastries in Vienna, Place de Vocks, Venice canal curtains]
- Use of perspective [Paris architecture, Versailles landscapes, Armeni boats, Norfolk tree line]
- Use of angles [Avebury tree line]
- Chiascuro choices in selective use of light-dark [Richmond trees]
- Line and hatching to produce volume, shading, and texture [self-portrait, artist tools]
- Simplification of potentially noisy subject matter to tell the essential story [Rialto Market]
- Portraits in occupation [toyboats for rent, cheese and vegetables, Chartier waiters]
- Portraits in recreation [toy sailboat]
- Capturing motion [Cornwall fishing boat, Essouira boat, Foxton Locks barge, ducks]
- Order and windswept chaos
- Use of partials where the mind fills in the blank [cheese and vegetable vendors]
- Occasional Whimsy [Santorini burros, balloons, summer ice cream, artistic refreshment]
- Rare use of color makes it pop among the portfolio [holiday greeting]
Internet Fair Use - Ian Sidaway Shoreham Hot PM
Ian rarely uses color. But with a nod towards the approaching holiday festivities, I include one of his rare blog entries with color. Thanks Ian, for the opportunity to visit. It was inspiring. I hope this review adds to your future net traffic. It certainly gives me an approach to promptly access my review notes.
Internet Fair Use - Ian Sidaway's Rare Use of Color
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