"The Knob" at Quisset Harbor: A New England Artistic Motif

As a result of our recent day trip to The Knob at Quisset Harbor on Buzzard's Bay in Falmouth, MA, I reviewed a number of online images for depicting the conservation area in photos or in painting. The purpose of today's blog entry is to show the diversity of perspectives, different times of day, alternative seasons, various weather conditions, and historical photos that we didn't experience on our single day trip in mid-September. We follow up with paintings that illustrate some of the available interpretations for the motif. Our intent is to get these images in one location for a quick panorama of representations to facilitate critique.

Although some of these images may be under copyright for commercial use, we include them here under the Internet Fair Use provision for instructional purposes. We mark attribution and credit when possible. If a viewer knows that the attribution for an image is either missing or incorrect, please advise and we will be more than happy to update the reference and provide proper credit to the photographer or artist.

Thank you to all the contributors in www.net world.  Enjoy!

Here is a reference photo of Quisset Harbor and the future conservation area including the Knob circa 1930.

 Internet Fair Use - The Knob at Quisset Harbor, Falmouth MA Circa 1930

A boat at anchorage in Quisset Harbor.

Internet Fair Use - Boat at Anchorage in Quisset Harbor

A similar closeup shot in detail.

Internet Fair Use - Boat at Anchorage in Quisset Harbor (Detail)

The same boat at anchorage at The Knob.

Internet Fair Use - Boat at Anchorage at the Knob

Here is a cover for the magazine, Cape Cod Life, with a late day photo of The Knob. The shot includes folks seemingly excited to run to the final destination. Nice touch to get the appropriate feeling for the vista. And a wonderful cloudscape at end of day sunset. The clouds and the grasses provide a dramatic depth of field with The Knob as the focal point.

Internet Fair Use - Courtesy of Cape Cod Life - Cover of The Knob

A tranquil dinghy reposes within the marsh grasses perhaps at Quisset Harbor. Seems to be an end-of-day shot with the sunset reflected off buildings at the shoreline on the background and with the foreground in a low sun shadow from the peninsula and shoreline trees. This is a suitable depiction for the style of Monet for color and texture.

Internet Fair Use - Dinghy at Quisset Harbor at Sunset and Day's End

An aerial view of the Knob. I believe this to be attributed to Joshua Shortsleeve working with the magazine, Cape Cod Life.

Internet Fair Use - Courtesy Joshua Shortsleeve - Aerial View of the Knob 

An aerial drone view of the Knob dusted by snow in winter repose.

Internet Fair Use - Aerial View of The Knob Dusted by Snow in Winter

An aerial view of the Knob and Quisset Harbor.

Internet Fair Use - Courtesy of Cape Cod Life - Aerial View of The Knob and Quisset Harbor

The Knob,overcast, after sunset. A different cloudscape.

Internet Fair Use - The Knob Overcast After Sunset

Another end-of-day cloudscape of The Knob looking to the west in late afternoon from the Getty Images portfolio attributed to Betty Way. Some dramatic chiascuro.

Internet Fair Use - Courtesy of Betty Way - The Knob in Late Afternoon

Here's the same shot without the obscuring watermark.

Internet Fair Use - Courtesy of Betty Way - The Knob in Late Afternoon

The Knob at end-of-day. A cloudy, but sun-stark through-the-haze portrayal of the motif. I also appreciate the lights twinkling on the horizon. Perhaps the horizon lights are of the New Bedford and Dartmouth shoreline across Buzzards Bay. This image reminds me of Impressions-Sunrise (1872) by Monet with the overall use of greys, violets, and blues, and with the imposing sun in an overcast horizon. It is quite suitable for an artistic portrayal of the misty, hazy, layered-paint style.

Internet Fair Use - Courtesy of Cape Night Photography - The Knob and Buzzards Bay Horizon

Monet's Impressions of a Sunrise - Soleil Levant (1872) which is representative of the beginnings of the impressionist movement.

Internet Fair Use - Claude Monet Impressions - Sunrise (1872)

The Knob in full winter portrayal.

Internet Fair Use - The Knob in Full Winter

The Knob at Sunset in Late Autumn or Early Spring.

Internet Fair Use - The Knob at Sunset in Late Autumn Early Spring

The Knob at quiet sunset. Waves are quite tranquil.

Internet Fair Use - The Knob at Tranquil Sunset.

The Knob at sunset with quiet swells.

Internet Fair Use - The Knob at Sunset with Quiet Swells

The Knob from the Northern Beach.

Internet Fair Use - The Knob from the Northern Beach

The Knob in winter, late day shadow from the northern beach.

Internet Fair Use - The Knob in Winter Late Day Shadow from the Northern Beach

Knob at Sunset.

Internet Fair Use - Knob at Sunset

The Knob at sunset by Mike Petrizzo.

Internet Fair Use - The Knob at Sunset by Mike Petrizzo

The Knob with northern beach grasses and shrubbery in foreground. This vantage point might be suitable to depict the beach roses, the goldenrod, the honeysuckle, or the bittersweet in close detail.

Internet Fair Use - The Knob Northern Beach Grass 

The Knob from the northern beach detail on the bayside at Buzzards Bay.

Internet Fair Use - The Knob from the Northern Beach Bayside.

The Knob in a clear, early morning. Sun behind the shot to the south and east. Seems to be a very early spring or late autumn season with wispy, cirrus clouds. Has some bold blue, brown, yellow, red, violet color contrast.

Internet Fair Use - The Knob in Mid-morning

Here's a shot emphasizing a leisurely stroll and beach-combing on the northern beach at The Knob.

Internet Fair Use - Beach-combing the Northern Beach at the Knob

Here's The Knob from the final pathway depicted almost in an islandic form. Nice format to the greenery and white ric-rac boulders.

Internet Fair Use - The Knob from the Final Pathway

The Knob in Violet Dusk.

Internet Fair Use - The Knob in Violet Dusk

The Knob in dry grass. Suitable for tempera perhaps in the style of Andrew Wyeth.

Internet Fair Use - The Knob in Dry Grass 

The Knob in fervent green and blue.

Internet Fair Use - The Knob in Fervent Green and Blue

The Knob with Gansett Point at the entrance to Quinsett Harbor. Interesting that Gansett Point on the horizon at left is balanced by a quiet tuft of a distant cumulus cloud on the right. Otherwise clear and verdant.

Internet Fair Use - The Knob with Gansett Point at the Entrance to Quinsett Harbor.

Sailing in Buzzards Bay off The Knob. I love the pink and grey depicted in the granite boulders in strong direct sunlight at mid-day.

Internet Fair Use - Sailing in Buzzards Bay off the Knob

The Knob by the Sea by Janet Gary. A dramatic detail shot of the sweeping arc of ric-rac boulders on the northern bay-side. Just lovely. The color palette here (violet, yellow, green, and blue in pale hue) is another strong emphasis for  overall effect.

Internet Fair Use - Courtesy of Janet Gary - The Knob by the Sea

Goldenrod at the Knob in autumn.

Internet Fair Use - Goldenrod at The Knob in Autumn

A quiet stroll to The Knob.

Internet Fair Use - A Quiet Stroll to The Knob

And now for some paintings.....

"The Knob" by Liz Cutler. An impressionistic portrayal of the southern rocky shore of the peninsula's conservation area on a clear day.

Internet Fair Use - Courtesy of Liz Cutler - "The Knob"

"Twilight" at the Knob. Karen Rinaldo Gallery.

Internet Fair Use - Courtesy of Karen Rinaldo Gallery - "Twilight" at the Knob 

"The Knob" by Julie Crowley. An impressionistic rendition. She completes a nice work in quieting down the details of the shrubbery and grasses and waves inherent in photo-realism and depicts the feeling of being there on a sunlit day. One could almost subtitle this painting "The Invitation". 

Internet Fair Use - Courtesy of Julie Crowley - "The Knob"

"The Knob - Quisset Notes" by Jan Collins Selman

Internet Fair Use - Courtesy of Jan Collins Selman - "The Knob -Quisset Notes"

"The Knob" by Jan Collins Selman. An impressionistic realism on a cloudy, windy day. Love the sailboats to suggest the wind action. Without the sailboats, the painting would be too still. Also, like the blending of the sea and sky on the horizon.

Internet Fair Use - Courtesy of Jan Collins Selman - "The Knob"

Susie Morell, a Daily painter, has depicted on the sailboats at Quisset Harbor. Love the overall color tones in this impression.

Internet Fair Use - Courtesy of Susie Morell - "Anchorage at Quisset Harbor"

In conclusion, perhaps yesterday's and today's blog entry will entice other creative types to visit, photograph, and paint these motifs at The Knob at Quisset Harbor on Buzzards Bay, Falmouth, MA. Thanks for visiting!

Ian Sidaway: Drawings Speak for Themselves

I reviewed Ian Sidaway's art blog "Fine Line" today. The first picture of his that I saw was captured by serendipity in a online image search for something else. His work stood out from among the noise of other images. All images in today's entry are Ian's and courtesy from his blog under Internet Fair Use to give you, dear Reader, just a hint of his sketchbook portfolio! Notes and links below. I enjoyed my visit immensely and recommend it to you.

Here is his studio shot.

 

Internet Fair Use - Ian Sidaway in His Studio

And the tools associated with his mastery and expertise.

Internet Fair Use - Ian Sidaway's Sketching Tools Drawn in His Sketchbook

So I followed to his website. And reviewed his portfolio of artwork. I thoroughly enjoyed the use of numerous quotes within the blog.

The best quote that speaks to me was: "There is a fine line between 'hobby' and 'mental illness' ". (Unknown author)

Dear Reader, either review his blog and reach your own conclusions. Or I took the following notes as I reviewed the blog and his artwork:

• Keeps the blog simple with quotes and his sketchbook pages
• The finish and quality of the drawings speak for themselves
• He characterizes himself as an urban sketcher
• Content aligns to a sketchbook-based travel and journey log
• Text wasn't required to explain the power of the artwork
• The feeling and essence of the location and subject matter was self-evident in the images
• Obviously portrays what he enjoys so there is insight into the artist from his depictions
• Wonderful capture of architecture [Paris, with Eiffel], rural locations [Cornwall cow, Edale Sheep, Edale wire fence], cityscapes, storefronts, cafes [Vienna, Paris], landscapes, marine, arboretums [winter trees], topiary, gardening [allotments, and again, wheelbarrows, pumpkins,], vendors and markets [cheese and vegetables, flowers, roses and books, carpets and fish], and natural history [bones, seal, shrew, autumn chestnuts]
• He has a knack for taking what otherwise could be seen as mundane and making it dramatic [Brecon-Beacon wire fence, Edale wire fence, French cafe chairs, and cafe chairs again, laundry in Burano]
• His skill of observation, selection of subject, and point of view is superb [Bodmin Moor]
• Style appears to have roots in architectural and landscape graphic designer [Tuscany, and Tuscany again, Cortona, Venice]
• Use of foreground and background to provide depth [Edale Cross, Santorini Greece]
• Positive use of white space [ducks, rope and buoys]
• Using different focal planes of activity [St Thomas a Becket, teasals at sunset, farm in Zenner, Avebury fence and hedgerows, peonies and queen anne's lace, gull in Venice]
• Selective use of detail or lack of detail to portray essence of image [rope and buoys, spring magnolias]
• Use of shape to provide emphasis [Petworth oak]
• Allowing line and geometry to provide emphasis [Kew Gardens greenhouse]
• Use of architectural panorama [Cartmel logging, Musee d'Orsay and Louvre]
• Use of silhouette [fishing boat]
• Use of repetition [Wells at Sea, pastries in Vienna, Place de Vocks, Venice canal curtains]
• Use of perspective [Paris architecture, Versailles landscapes, Armeni boats, Norfolk tree line]
• Use of angles [Avebury tree line]
• Chiascuro choices in selective use of light-dark [Richmond trees]
• Line and hatching to produce volume, shading, and texture [self-portrait, artist tools]
• Simplification of potentially noisy subject matter to tell the essential story [Rialto Market]
• Portraits in occupation [toyboats for rent, cheese and vegetables, Chartier waiters]
• Portraits in recreation [toy sailboat] 
• Capturing motion [Cornwall fishing boat, Essouira boat, Foxton Locks barge, ducks]
• Order and windswept chaos 
• Use of partials where the mind fills in the blank [cheese and vegetable vendors]
• Occasional Whimsy [Santorini burros, balloons, summer ice cream, artistic refreshment]
• Rare use of color makes it pop among the portfolio [holiday greeting]

In my review, I attempted to select just one image that I liked to represent his work based on my appraisal notes above. A very difficult task. I ended up with 55 that I thought were special and indicative within my notes. I selected the following single image today, though, for its whimsy and feeling.

 

Internet Fair Use - Ian Sidaway Shoreham Hot PM

Ian rarely uses color. But with a nod towards the approaching holiday festivities, I include one of his rare blog entries with color. Thanks Ian, for the opportunity to visit. It was inspiring. I hope this review adds to your future net traffic. It certainly gives me an approach to promptly access my review notes.

Internet Fair Use - Ian Sidaway's Rare Use of Color

Art Blog Topics: Where Do I Stand?

Artpromotivate has a list of 103 topics to build art blog content. It's a great list to start a blog, or improve a blog. I have done so much of it already. I figured they have just reviewed my blog to make the list! Only kidding. I thought I would re-iterate and slightly modify/edit the list and mark which ones I have accomplished in my two blogs, Impressionism in Idle Acres and Impressionism of the Journeyman. Also, I added a few items of my own at the end of the list.

But how best to mark them as accomplished or not? Perhaps Done to Date (In Bold) and ToDo (not Bold and italicized)?

Also, there should be a simple keyword Label associated with each line item so entries can be tracked easily by category. So I will venture those by [placing them in brackets]. Perhaps I should go back and curate all the prior blog entries to categorize and connect them better using this taxonomy.

But there are some things in the list I haven't done yet!

1.   Artists you admire and why [Artists; By Name] 
2.   Recent artifacts you are working on [Original Drawing; Original Photo; Original Painting]
3.   Why you decided to become an artist [Daily Walk; Journey]
4.   Topics about your art creation process [Methods; Instruction]
5.   Tips on art promotion [Promotion]
6.   How you choose a palette or your palette [Palette; Tips; Instruction]
7.   A slideshow of your art [Slideshow]
8.   Drawing from your sketchbook [Original Drawing]
9.   Explain inspiration or meaning behind artwork [Original Drawing/ Photo/ Painting; Meaning]
10. Write about a historical artist you admire [Artists; By Name]
11. Lessons Learned as an artist [Lessons Learned; Instruction]
12. Opinions about a post in another art blog [Opinion]
13. Highlight contemporary artists you admire [Artists; By Name; Kudos]
14. Interview artists for the spotlight [Artists; By Name; Interview]
15. Mention an art competition your are in or recommend [Competition]
16. Give your own opinions on what is true art [Opinion; Artistic Endeavor; Creative Pursuit]
17. Self critique of one of your own works [Original Drawing/ Photo/ Painting; Selfie; Critique]
18. Discuss your favorite art blogs or art books [Blog Review; Book Review; Commentary]
19.  Write a critique of another artist's work [Original Drawing/ Photo/ Painting; Critique]
20.  Write about painting and drawing techniques [Technique; Instruction]
21.  Blog your favorite artist quotes [Quotes]
22.  Quotes that inspire you [Quotes]
23.  Tips on using your sketchbook [Original Drawing; Tips; Instruction]
24.  Explain different art movements [Art History]
25.  Write about an art show you are in, past, upcoming [Event] 
26.  Your art is published in a magazine, etc. [Published]
27.  How do you explain your art to others [Elevator Speech; Instruction]
28.  How do you come up with ideas for your art [Original Idea; Original Art]
29.  Explain favorite social networks to promote your art [Interconnected; Network; Promotion]
30.  A movie or TV show that inspires you [Media]
31.  Current events in news that you feel strongly about [News; Opinion]
32.  Tips on finding a gallery [Tips; Gallery; Instruction]
33.  Places you have traveled or would like to visit [Travel; Journey; Jaunt]
34.  Favorite art supply stores and websites [Supplies; Resources; Following; Followers; Instruction]
35.  Preferred art tools Tools; Methods]
36.  Participating in art fairs (Planning, displays, setup, etc) [Fairs, Promotion; Instruction]
37.  A funny joke or story to lighten the mood [Humor]
38.  Goals and aspirations for the future [Goals]
39.  Memories from the past [Memories]
40.  Post your biography and artist statement [Profile]
41.  Create a portfolio and write about it [Portfolio]
42.  Recommendations [art school, classes, seminars, etc.] [Recommendations]
43.  How do you sign your art? [Signature]
44.  Blog about a book [Book Review; Commentary]
45.  Talk about an art technique you invented [Original Idea; Instruction]
46.  Write a post about your favorite pet [Pet]
47.  Topics about family history [Memories]
48.  Take a poll of art blog readers [Survey]
49.  How do you handle criticism [Commentary; Critique; Criticism; Instruction]
50.  Ask for a guest post [Guest]
51.  Write about a place that you grew up [Memories]
52.  Memorable childhood experiences [Memories]
53.  Review of a favorite book [Book review; Commentary]
54.  Post your art resume [Profile]
55.  Explain your preferences [pleine aire, still life, studio, photographs, etc. [Style]
56.  How has life and nature inspired your art? [Style]
57.  How to save money on art supplies [Methods; Style; Commentary; Instruction]
58.  If you have a job outside of art, talk about work [Work; Project Management]
59.  Current art news [News; Commentary]
60.  Provide lessons in art technique and procedures [Lessons]
61.  Visits to favorite galleries and museums [Gallery; Museum; Exhibition]
62.  "Selling out" as an artist [Dilemmas; Artist Block]
63.  Art exhibition visited [Gallery; Museum; Exhibition]
64.  The role of art in society [Art history; Art future; Philosophy]
65.  How to frame art [Display; Framing, Instruction]
66.  How to organize your studio [Studio, Instruction]
67.  How to decide pricing [Pricing, Instruction]
68.  Favorite You-Tube art videos [Media; Teaching; Mentoring; Coaching; Instruction]
69.  Create a video of your art or studio [Media; Instruction, Teaching; Promotion]
70.  Coping with artist block [Artist Block; Instruction]
71.  How can people buy your art? [Promotion]
72.  Share advice for emerging and aspiring artists [Instruction; Mentoring; Coaching; Teaching]
73.  Talk about artist support group you belong to [Support]
74.  Discuss art clubs and organizations to which you belong [Support]
75.  Discuss (art) classes taken [Support; Teaching; Instruction]
76.  Discuss art donations to charitable causes [Giving back]
77.  Discuss your feelings about art as a therapy [Commentary]
78.  Tips about selling art online [Tips; Instruction]
79.  Online gallery membership [Galleries]
80.  Choosing a title for artwork [Tips; Instruction]
81.  Balance studio with work, social, family, recreation [Tips; Instruction]
82.  What music do you play in background while doing art [Music; Commentary]
83.  Preferences: Pleine aire or studio [Preferences; Style]
84.  Display and write about progression of painting [Selfie; Critique; Style]
85.  Discuss art prints, the process, and how to purchase [Tips; Instruction]
86.  Outline art awards, competitions, and contests [Selfie; Kudos; Commentary]
87.  Discuss collecting artists and trading artists work [Tips; Instruction; Promotion]
88.  Stretching and preparing canvases; Packaging [Tips; Instruction]
89.  How often do you create art? [Selfie; Critique; Style]
90.  How do you do time management as an artist? [Selfie; Critique; Style; Tips; Instruction]
91.  Describe a series of your drawing or paintings [Selfie; Critique; Style]
92.  Daily painter topics [Selfie; Style; Methods]
93.  Opinion of controversial artists [News; Critique; Commentary]
94.  Painting safety and hazards [Tips; Instruction]
95.  Photoshop tutorials [Tips; Instruction]
96.  Preparing for a gallery show [Tips; Instruction]
97.  What motivates you to create (when you are not selling) [Tips; Instruction]
98.  Collaboration with other artists [Interconnected; Instruction; Mentoring; Coaching; Teaching]
99.  How to do email lists, contacts, newsletters [Tips; Instructions]
100.  How to write about art [Tips; Instructions; Style]
101.  Doing an artist website, blog, creating, updates, etc [Media; Tips; Instruction]
102.  List favorite online photo sharing sites [Tips; Instruction; Commentary]
103.  Creating an art blog [Tips; Instruction]

And then there are some of my own additions to the list....

104.  Discuss the future of art [Art history; Art future]
105.  Discuss volunteering activities [Giving back]
106.  What is the level of effort that goes into your art? [Selfie; Critique; Style]
107.  Buying new and used art [Collecting]
108.  Encouraging others to do art [Mentoring; Coaching; Tips; Instruction]
109.  Testimonials [Tips; Instructions; Teaching]
110.  Stories and anecdotes [Art history; Instruction; Commentary]
111.  Describe how art has changed the world [Art history; Commentary]

I am sure there are more items in the list for topical content in an art blog. There is lots of room for improvement. What will the future hold?